The variety of guides facing game reviews has exploded over the process the decade, however the box has produced few finished reference works. The Routledge significant other to game Studies, compiled through recognized online game students Mark J. P. Wolf and Bernard Perron, goals to deal with the continued theoretical and methodological improvement of online game experiences, delivering scholars, students, and video game designers with a definitive examine modern online game studies.
Features include:
• accomplished and interdisciplinary versions and ways for reading video games;
• new views on games either as paintings shape and cultural phenomenon;
• explorations of the technical and artistic dimensions of video games;
• bills of the political, social, and cultural dynamics of video games.
Each essay presents a full of life and succinct precis of its objective region, fast bringing the reader up to date at the pertinent matters surrounding each one element of the sector, together with references for additional examining. jointly, they supply an outline of the current nation of video game reviews that may absolutely turn out worthy to pupil, pupil, and fashion designer alike.
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The Routledge Companion to Video Game Studies
The variety of courses facing online game reviews has exploded over the process the decade, however the box has produced few accomplished reference works. The Routledge spouse to game stories, compiled by means of famous online game students Mark J. P. Wolf and Bernard Perron, goals to deal with the continuing theoretical and methodological improvement of video game experiences, supplying scholars, students, and online game designers with a definitive examine modern online game experiences.
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Extra info for The Routledge Companion to Video Game Studies
Example text
2005). Playing with non-humans: digital games as techno-cultural form. In Proceedings of DiGRA 2005 conference: changing views—worlds in play. Vancouver, Canada, June 16–20, 2005. Jones, R. (2006). From shooting monsters to shooting movies: machinima and the transformative play of video game fan culture. In K. Hellekson & K. ) Fan fiction and fan communities in the age of the internet: new essays (pp. 261–280). , Publishers. Kittler, F. (1995). There is no software. CTheory. ctheory. id=74. , & Peuter, G.
Giddings points out that proper analysis of the instances of play and their wider contextual frames requires a recognition and theorization of technological agency and that game studies would in this respect benefit from consulting the actor–network theory (ANT). ANTian approaches aim at overcoming the human/nonhuman divide in distributing agential properties and conceiving artifacts as embodied knowledges and actions (Latour, 2005; Shiga, 2007). Accordingly, video games and their players should be approached as a network of actors that both work together and influence each other.
The video game industry not only relies on constantly changing hardware based on minerals mined in developing countries and produced in undesirable working conditions by cheap labor, but it also generates remarkable amounts of electronic waste. Similar to other electronics, gaming equipment is often discarded after a relatively short useperiod. Most manufacturers have developed reuse and recycle programs, but three decades after Atari’s infamous video game burial, significant amounts of computers, mobile phones, and game consoles are still dumped into landfills and incinerators or exported to scrap yards in developing countries.