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By Suzanne Clark

Chilly Warriors: Manliness on Trial within the Rhetoric of the West returns to accepted cultural forces—the West, anticommunism, and manliness—to exhibit how they mixed to suppress dissent and dominate the unruliness of literature within the identify of a countrywide identification after international conflict II. Few discover how a lot the domination of a “white male” American literary canon used to be a product now not of lengthy historical past, yet of the chilly conflict. Suzanne Clark describes the following how the chilly conflict excluded girls writers on a number of degrees, including others—African American, local American, terrible, males in addition to women—who have been neglected within the fight over white male identity. Clark first exhibits how defining national/individual/American identification within the chilly warfare concerned a new configuration of cultural historical past. even as, it referred to as upon the nostalgia for the outdated discourses of the West (the nationwide manliness asserted by means of Theodore Roosevelt) to say that there has been and continually were just one genuine American identity. By subverting the claims of a countrywide identification, Clark reveals, many male writers risked falling outdoor the bounds not just of public rhetoric but additionally of the literary international: males as diversified from each other because the determinedly masculine Ernest Hemingway and the antiheroic storyteller of the typical, Bernard Malamud. both vocal and contentious, chilly battle girls writers have been unwilling to be silenced, as Clark demonstrates in her dialogue of the paintings of Mari Sandoz and Ursula Le Guin. The e-book concludes with a dialogue of the way the silencing of gender, race, and sophistication in chilly battle writing maintained its self-discipline until eventually the eruptions of the sixties. by way of wondering the id politics of manliness within the chilly conflict context of persecution and trial, Clark unearths that the involvement of guys in identification politics set the degree for our next cultural heritage.

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Cold warriors : manliness on trial in the rhetoric of the West / Suzanne Clark.  cm.  ) and index.  Men in literature.  Masculinity in literature.  Title. 48-1992.  Clark Page vii Contents Preface ix Introduction: The Frontier Rhetoric of the Cold War and the Crisis of Manliness 1 1. The Un-American and the Unreal: Modern Bodies and New Frontiers 22 2. Cold War Modernism and the Crisis of Story 43 3. Theodore Roosevelt and the Postheroic Arena: Reading Hemingway Again 59 4. Unsettling the West: The Persecution of Science and Bernard Malamud's A New Life 97 5.

Far from adopting the manly warrior as hero after the victories of World War II, intellectuals turned away from heroics and extremity to a more tragic sense of history and to a poetics of ambiguity. Nonetheless, the intellectuals shared the claim to a position of transcendent objectivity that characterized the hypermasculinity of national policy. By "hypermasculinity" I mean a male gendering elevated above all questions of marked gender. That is, far from advocating openly a manliness that might have been contested, they took their own whiteness and maleness, together with American authenticity, as unmarked, neutral positions of superior reason.

Another split opened up between the fantasy ideology to assuage consumers, and a so-called realistic ideology, a tragic vision to satisfy international high culture: optimism for the mass market (and the rise of Disney); pessimism for the intelligentsiaJohn Wayne for the masses, but Meursault or Raskolnikov or Humbert Humbert for the critics. At the same time that a certain narrative of disillusionment became, in literature, the only believable story, those who had more terrible stories to tell could, apparently, say nothing.

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