By Yee Wah Foo
This attention-grabbing learn examines wartime Chinese-Soviet kinfolk from a Moscow-based, chinese language viewpoint on the ambassadorial point. The publication contains descriptions of way of life in Moscow, of embassy company, of up to date occasions and international relations, of intelligence operations, of conferences with Stalin, and of communications to and from Chongqing.
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Additional info for Chiang Kaishek's Last Ambassador to Moscow: The Wartime Diaries of Fu Bingchang
The exquisite hangings had been sewn by famous Cantonese embroiderers and were presented to the Russian Tsar by the late Qing rulers. 26 At a cost of 5,000 roubles each, Fu commissioned a well-known artist, Vladimir Ergenevich Pamfilov (1904–70), to paint imposing portraits of Sun Yatsen and Chiang Kaishek, for display in the foyer. Organizing the portraits had been a complicated procedure. First, Fu had had to seek permission from the Soviet authorities, who formed a committee to oversee the job.
2 Chiang kept his word about the money, and throughout Fu’s administration he sent personal cablegrams to him asking if he needed extra funds. 3 39 40 At the Chinese Embassy Kuybyshev Fu’s ambassadorship began in the city of Kuybyshev. 6 This arrangement presented the diplomatic corps with serious problems; for although members of the Soviet Foreign Office, under the Vice Commissar of Foreign Affairs, Solomon Lozovsky, had also moved, the Kremlin in Moscow still continued as the main place of business.
9 The main point Purpose and Management 41 of diplomatic contact with the Kremlin came through the offices of Solomon Lozovsky, the Vice Commissar. It was rare for diplomats to make the gruelling journey to Moscow, and getting Soviet authority to do so was also an issue. Fu arrived in Kuybyshev on 26 February 1943 and stayed there for just over five months. He felt that life in Kuybyshev was dull and remote, and even worse, that he could not carry out his duties as an ambassador from so far away.