Download Beyond Bullet Points: Using Microsoft® Office PowerPoint® by Cliff Atkinson PDF

By Cliff Atkinson

Liberate the fantastic tale buried on your presentation—and fail to remember dull bullet issues eternally! Now up to date for Microsoft workplace PowerPoint 2007, this widely-acclaimed ebook contains seven new examples of compelling shows from board room to lecture room. Communications specialist Cliff Atkinson publications you, step-by-step, via his innovative three-step process for expanding the impression of your displays. You’ll realize the best way to mix vintage storytelling options with the facility of visible media to create a wealthy, enticing event. rework how you create and bring your serious message—and speedy deliver your rules to life!FOCUS:Learn tips to distill and form your top principles right into a crisp and compelling narrative.CLARIFY:Use a storyboard to demonstrate your principles, growing the correct mixture of message and media.ENGAGE:Move from basically interpreting your slides to making a wealthy, attached adventure along with your audience—and bring up your impact!CD comprises: Cliff’s customized templates—build your tale! quickly reference checklists for compelling displays entire eBook—plus bonus content material! A be aware concerning the CD or DVDThe print model of this ebook ships with a CD or DVD. For these buyers procuring one of many electronic codecs within which this publication is on the market, we're happy to supply the CD/DVD content material as a loose obtain through O'Reilly Media's electronic Distribution providers. To obtain this content material, please stopover at O'Reilly's site, look for the name of this ebook to discover its catalog web page, and click the hyperlink lower than the canopy photo (Examples, significant other content material, or perform Files). observe that whereas we offer as a lot of the media content material as we're capable through unfastened obtain, we're occasionally constrained by means of licensing regulations. Please direct any questions or matters to booktech@oreilly.com.

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Additional info for Beyond Bullet Points: Using Microsoft® Office PowerPoint® 2007 to Create Presentations That Inform, Motivate, and Inspire

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Placing all information on the slide area results in an overwhelming amount of information on the slide. When the text on screen is the same as what is narrated, it creates redundancy that reduces understanding. The busy slide splits attention from the speaker’s narration. Not using the notes area ignores a critical source of information, the speaker’s voice. FIGURE 2-15 The conventional PowerPoint approach does not incorporate the dual-channels concept and instead places both visual and verbal information in the slide area.

And when you apply the new sequence to your own presentations, you’ll see how BBP taps into the powerful potential of PowerPoint that has been waiting for you all along. NOTE The Ribbon has been minimized throughout the figures in this book to make the graphics more visible. If you ever need to minimize your Ribbon, click the Customize Quick Access Toolbar button next to the Quick Access Toolbar on the upper left in the PowerPoint window, and then select Minimize The Ribbon. Trick 1: Use Slide Sorter View to Manage the Volume Open a new, blank PowerPoint presentation, and on the View tab, in the Presentation Views group, click Slide Sorter, as shown in Figure 2-2.

Research Reality 2: You Have to Address the Two Channels The next research reality, the concept of dual channels, states that people receive and process new visual and verbal information in not one, but two separate but related channels. Allan Paivio described his theory of dual coding in the 1970s, and during the same decade, Alan Baddeley and Graham Hitch described a similar two-channel structure in working memory. Today, the concept has become a widely accepted standard among researchers. In the dual-channels model, the images someone sees are processed through a visual channel, the domain of images including photographs, illustrations, charts, and graphs, as illustrated conceptually in Figure 2-13 (top).

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